Sold for €1,300
including Buyer's Premium
Unsigned
Japan, 19th century
Superbly modeled as an eggplant (nasubi) with an elegantly trimmed stem, the flesh of lustrous roiro lacquer with the area around the stems masterfully stippled with some red lacquer. The back with well-hollowed himotoshi.
LENGTH 7.2 cm
Condition: Very good condition with small wear and traces of use.
Provenance: Galerie Duval, Brussels, 19 February 1949. Collection of Robert and Isabelle de Strycker, acquired from the above, and thence by descent within the same family. Robert de Strycker (1903-1968) was a French engineer who specialized in metallurgy. He was a Stanford graduate, a professor at the University of Leuven, a director of the Institute of Metallurgy at the Université Catholique de Louvain, and one of the most influential members of the faculty of applied sciences. After World War II, he made large contributions to France’s post-war recovery. Robert and his wife Isabelle (1915-2010) first encountered Chinese art at the British Museum during a stay in London in the 1930s. Enamored with the style and beauty, they both decided to study and collect Chinese works of art. In 1938 they eventually began to build their collection, buying from Belgian, Parisian, and English dealers. They kept close contact with the famous English collector Sir Harry Garner (1891-1977) and noted Czech collector and expert Fritz Low-Beer (1906-1976).
Unsigned
Japan, 19th century
Superbly modeled as an eggplant (nasubi) with an elegantly trimmed stem, the flesh of lustrous roiro lacquer with the area around the stems masterfully stippled with some red lacquer. The back with well-hollowed himotoshi.
LENGTH 7.2 cm
Condition: Very good condition with small wear and traces of use.
Provenance: Galerie Duval, Brussels, 19 February 1949. Collection of Robert and Isabelle de Strycker, acquired from the above, and thence by descent within the same family. Robert de Strycker (1903-1968) was a French engineer who specialized in metallurgy. He was a Stanford graduate, a professor at the University of Leuven, a director of the Institute of Metallurgy at the Université Catholique de Louvain, and one of the most influential members of the faculty of applied sciences. After World War II, he made large contributions to France’s post-war recovery. Robert and his wife Isabelle (1915-2010) first encountered Chinese art at the British Museum during a stay in London in the 1930s. Enamored with the style and beauty, they both decided to study and collect Chinese works of art. In 1938 they eventually began to build their collection, buying from Belgian, Parisian, and English dealers. They kept close contact with the famous English collector Sir Harry Garner (1891-1977) and noted Czech collector and expert Fritz Low-Beer (1906-1976).
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