16th Jun, 2023 11:00
Fine Japanese Art
78
UTAGAWA HIROSHIGE (1797 – 1858), HONMOKU CLIFF IN MUSASHI PROVINCE
Sold for €1,300
including Buyer's Premium
By Utagawa Hiroshige (1797 – 1858), signed Hiroshige ga
Japan, dated 1858
Color woodblock print on paper. Vertical Oban. Signed Hiroshige ga with Tsutaya Kichizo publisher seal. Entitled Honmoku Cliff in Musashi Province, from the series Thirty-Six Views of Mount Fuji.
A beautiful landscape portrait with a clear view of Mount Fuji.
SIZE of the sheet 35.8 x 24.5 cm
Condition: Good condition and impression with slightly faded colors. Very minor holes and backed with paper tape on the left margin from the verso.
Provenance: Austrian private collection, acquired in the 1990s at Galerie Zacke, Vienna.
Utagawa Hiroshige (1797 – 1858)
Utagawa Hiroshige (also referred to as Ando Hiroshige) is recognized as one of the last great masters of the ukiyo-e (“pictures of the floating world”) woodblock printing tradition. His style can be characterized in the genre of landscape print, innovated by his early contemporary Hokusai (1760-1849). Hiroshige can be attributed to having created over 5,000 prints of everyday life and landscape in Edo-period Japan. Inspired by Katsushika Hokusai’s popular Thirty-Six Views of Mount Fuji, Hiroshige took a softer, less formal approach with his Fifty-Three Stations of the Tokaido (1833–34), completed after a trip he made between Edo and Kyoto, which is acclaimed to be perhaps his finest achievement.
He made numerous other journeys within Japan and issued a series of such prints, expressing in great detail the poetic sensibility inherent in the climate and topography of Japan and its people. Hiroshige’s prolific output was somewhat due to his being paid very little per series. Still, this did not deter him, as he receded to Buddhist monkhood in 1856 to complete his brilliant and lasting One Hundred Famous Views of Edo (1856–58). He died in 1858, 10 years before Monet, Van Gogh, and a lot of Impressionist painters became eager collectors of Japanese art.
Museum comparison:
An identical print is in the collection of the Van Gogh Museum, Amsterdam, object number n0089V1962.
By Utagawa Hiroshige (1797 – 1858), signed Hiroshige ga
Japan, dated 1858
Color woodblock print on paper. Vertical Oban. Signed Hiroshige ga with Tsutaya Kichizo publisher seal. Entitled Honmoku Cliff in Musashi Province, from the series Thirty-Six Views of Mount Fuji.
A beautiful landscape portrait with a clear view of Mount Fuji.
SIZE of the sheet 35.8 x 24.5 cm
Condition: Good condition and impression with slightly faded colors. Very minor holes and backed with paper tape on the left margin from the verso.
Provenance: Austrian private collection, acquired in the 1990s at Galerie Zacke, Vienna.
Utagawa Hiroshige (1797 – 1858)
Utagawa Hiroshige (also referred to as Ando Hiroshige) is recognized as one of the last great masters of the ukiyo-e (“pictures of the floating world”) woodblock printing tradition. His style can be characterized in the genre of landscape print, innovated by his early contemporary Hokusai (1760-1849). Hiroshige can be attributed to having created over 5,000 prints of everyday life and landscape in Edo-period Japan. Inspired by Katsushika Hokusai’s popular Thirty-Six Views of Mount Fuji, Hiroshige took a softer, less formal approach with his Fifty-Three Stations of the Tokaido (1833–34), completed after a trip he made between Edo and Kyoto, which is acclaimed to be perhaps his finest achievement.
He made numerous other journeys within Japan and issued a series of such prints, expressing in great detail the poetic sensibility inherent in the climate and topography of Japan and its people. Hiroshige’s prolific output was somewhat due to his being paid very little per series. Still, this did not deter him, as he receded to Buddhist monkhood in 1856 to complete his brilliant and lasting One Hundred Famous Views of Edo (1856–58). He died in 1858, 10 years before Monet, Van Gogh, and a lot of Impressionist painters became eager collectors of Japanese art.
Museum comparison:
An identical print is in the collection of the Van Gogh Museum, Amsterdam, object number n0089V1962.
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