Sold for €5,056
including Buyer's Premium
Vietnam, 17th-18th century. The facial features emphasize reclusiveness while the sharp curls on his head symbolize spirituality. Carved seated in dhyanasana, the right hand lowered in dhyanamudra on his lap and the left raised in mutrashay mudra.
Provenance: Hungarian private collection.
Condition: Weathering, age cracks, some of which show old fillings and touchups, minor losses, and extensive wear to lacquer, the underside with several drilled holes and related fills, where the statue was once attached to a base.
Weight: 7.9 kg
Dimensions: Height 51 cm
Finely crafted red lacquer plinth. The base is sealed and hollow, possibly still bearing original offerings inside. Buddha is wearing long flowing robes, the serene face with heavy-lidded eyes and full lips forming a benevolent smile, flanked by long earlobes, the hair arranged in tight curls surmounted by an ushnisha.
Literature comparison: Compare with a related Buddha, Vietnam, c. 1600, in the collection of The Pacific Asia Museum, accession number 1996.28.3.
Auction result comparison: A closely related Buddha was sold in these rooms in Fine Chinese Art, Buddhism and Hinduism on 25 April 2020, lot 456, for EUR 15,168.
越南鎏金漆木雕佛像
越南,十七至十八世紀。面部表情強調隱逸,頭上捲髮像徵著靈性。 結迦趺座,右手施禪定印。
來源:匈牙利私人收藏
品相:有風化年齡裂縫,舊的填充物和補漆,輕微的損失,以及漆面的大量磨損,下側有幾個鑽孔和填充物,雕像曾經被固定在底座上。
重量:7.9 公斤
尺寸:高51厘米
拍賣結果比較:一尊相似的佛像,於本拍行2020年4月25日 Fine Chinese Art, Buddhism and Hinduism拍場售出,lot 456, 售價EUR 15,168。
Vietnam, 17th-18th century. The facial features emphasize reclusiveness while the sharp curls on his head symbolize spirituality. Carved seated in dhyanasana, the right hand lowered in dhyanamudra on his lap and the left raised in mutrashay mudra.
Provenance: Hungarian private collection.
Condition: Weathering, age cracks, some of which show old fillings and touchups, minor losses, and extensive wear to lacquer, the underside with several drilled holes and related fills, where the statue was once attached to a base.
Weight: 7.9 kg
Dimensions: Height 51 cm
Finely crafted red lacquer plinth. The base is sealed and hollow, possibly still bearing original offerings inside. Buddha is wearing long flowing robes, the serene face with heavy-lidded eyes and full lips forming a benevolent smile, flanked by long earlobes, the hair arranged in tight curls surmounted by an ushnisha.
Literature comparison: Compare with a related Buddha, Vietnam, c. 1600, in the collection of The Pacific Asia Museum, accession number 1996.28.3.
Auction result comparison: A closely related Buddha was sold in these rooms in Fine Chinese Art, Buddhism and Hinduism on 25 April 2020, lot 456, for EUR 15,168.
越南鎏金漆木雕佛像
越南,十七至十八世紀。面部表情強調隱逸,頭上捲髮像徵著靈性。 結迦趺座,右手施禪定印。
來源:匈牙利私人收藏
品相:有風化年齡裂縫,舊的填充物和補漆,輕微的損失,以及漆面的大量磨損,下側有幾個鑽孔和填充物,雕像曾經被固定在底座上。
重量:7.9 公斤
尺寸:高51厘米
拍賣結果比較:一尊相似的佛像,於本拍行2020年4月25日 Fine Chinese Art, Buddhism and Hinduism拍場售出,lot 456, 售價EUR 15,168。
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