11th Oct, 2023 11:00

THREE-DAY AUCTION - Fine Chinese Art / 中國藝術集珍 / Buddhism & Hinduism

 
Lot 75
 

75

A SMALL QINGBAI CENSER AND COVER, NORTHERN SONG DYNASTY
北宋青白小蓋爐

Sold for €2,080

including Buyer's Premium


Lot details

China, 960-1127. Standing on a short tapered foot, the deep rounded sides carved with overlapping petals. The domed cover of the incense burner is pierced with three rows of apertures encircling the central bud finial, all above an openworked pattern of radiating petals. The white ware of the censer and cover is glazed with a vitreous, bubble-suffused pale-blue glaze.

Provenance: Brian Page, Brighton, United Kingdom. Grahame Clarke, acquired from the above in 2008, and thence by descent in the family. Grahame Clarke (1940-2014) was a noted ceramic artist, influenced by pioneers of small-scale studio pottery such as Harry Davis, Bernard Leach, and Shoji Hamada. In 1974, he founded Highland Stoneware in Lochinver, Scotland. Driven by the historic and natural environment, his work combined the durable porcelain body, modeled on ancient century Chinese pottery, with a free hand-painted style inspired by Delftware blue-and-white decorations of the 16th and 17th centuries. His passion for ceramics led him to collect artifacts from all over the globe, but especially from China. Inspired by historic porcelain, Clarke’s work itself ended up in museums like the Victoria & Albert, exemplifying the modern movement of micro-kiln ceramic arts.
Condition: Very good condition with minor old wear and expected firing irregularities, few shallow chips, some of which have smoothened over time.

Weight: 158.8 g
Dimensions: Height 8.9 cm

Please click here to read the full description

Literature comparison:
Compare a related Qingbai censer with an openwork cover, 6 cm high, dated to the Northern Song dynasty, in the Art Institute of Chicago, accession number 2013.190. Compare a related tripod censer with pierced cover which was excavated in 1981 from a site near Jingdezhen in Boyang county and is now in the Jiangxi Provincial Museum, illustrated in Zhongguo Taoci Quanji: Song (The Complete Works of Chinese Ceramics: Song Dynasty), Volume 8, Shanghai, 2000, no. 171. Compare a related Qingbai censer, illustrated in Selected Masterpieces of the Manno Collection, Osaka, 1988, no. 84. Compare a related Qingbai openwork censer, illustrated in Chinese Ceramics from the Meiyintang Collection, Volume I, London, 1994, page 329, no. 611.

点此阅读中文翻译 (Chinese Translation)

北宋青白小蓋爐
中國,960-1127年。香爐的圓蓋中央有花蕾鈕,穿有三排小圓孔。爐身外壁刻有重疊花瓣紋。香爐通體施青白色釉,釉色瑩潤。

來源:英國布萊頓Brian Page收藏;Grahame Clarke 於 2008年 年從上述人士手中收購,並自此在同一家族傳承。Grahame Clarke(1940-2014年)是一位著名的陶瓷藝術家,受到 Harry Davis、Bernard Leach 和 Shoji Hamada 等陶藝風格的影響。1974 年,他在蘇格蘭洛欽弗創立了 高land Stoneware。在歷史和自然環境的推動下,他的作品將仿照中國古代陶器的耐用瓷體與受十六世紀和十七世紀代爾夫特青花裝飾啟發的自由手繪風格結合起來。他對陶瓷的熱情促使他收集來自世界各地的陶瓷,尤其是來自中國的文物。受到古物的啟發,Clarke的作品本身最終被收藏在維多利亞和阿爾伯特博物館等博物館。
品相:狀況極好,有輕微磨損、製造不規則和小缺口。

重量:158.8 克
尺寸:高 8.9 厘米

文獻比較:
比較一件相近的北宋青白小蓋爐,高6 厘米,收藏於芝加哥藝術博物館,館藏編號2013.190。比較一件相近的三足爐,1981年出土於景德鎮 ,現藏於江西博物館,見《Zhongguo Taoci Quanji: Song (The Complete Works of Chinese Ceramics: Song Dynasty)》,卷8,上海,2000年,編號171。比較一件相近 Qingbai censer,illustrated in Selected Masterpieces of the Manno Collection,Osaka,1988,編號84. 比較一件相近的青白小蓋爐 ,見《Chinese Ceramics from the Meiyintang Collection》,卷 I,倫敦,1994年,頁329,編號611。
 

China, 960-1127. Standing on a short tapered foot, the deep rounded sides carved with overlapping petals. The domed cover of the incense burner is pierced with three rows of apertures encircling the central bud finial, all above an openworked pattern of radiating petals. The white ware of the censer and cover is glazed with a vitreous, bubble-suffused pale-blue glaze.

Provenance: Brian Page, Brighton, United Kingdom. Grahame Clarke, acquired from the above in 2008, and thence by descent in the family. Grahame Clarke (1940-2014) was a noted ceramic artist, influenced by pioneers of small-scale studio pottery such as Harry Davis, Bernard Leach, and Shoji Hamada. In 1974, he founded Highland Stoneware in Lochinver, Scotland. Driven by the historic and natural environment, his work combined the durable porcelain body, modeled on ancient century Chinese pottery, with a free hand-painted style inspired by Delftware blue-and-white decorations of the 16th and 17th centuries. His passion for ceramics led him to collect artifacts from all over the globe, but especially from China. Inspired by historic porcelain, Clarke’s work itself ended up in museums like the Victoria & Albert, exemplifying the modern movement of micro-kiln ceramic arts.
Condition: Very good condition with minor old wear and expected firing irregularities, few shallow chips, some of which have smoothened over time.

Weight: 158.8 g
Dimensions: Height 8.9 cm

Please click here to read the full description

Literature comparison:
Compare a related Qingbai censer with an openwork cover, 6 cm high, dated to the Northern Song dynasty, in the Art Institute of Chicago, accession number 2013.190. Compare a related tripod censer with pierced cover which was excavated in 1981 from a site near Jingdezhen in Boyang county and is now in the Jiangxi Provincial Museum, illustrated in Zhongguo Taoci Quanji: Song (The Complete Works of Chinese Ceramics: Song Dynasty), Volume 8, Shanghai, 2000, no. 171. Compare a related Qingbai censer, illustrated in Selected Masterpieces of the Manno Collection, Osaka, 1988, no. 84. Compare a related Qingbai openwork censer, illustrated in Chinese Ceramics from the Meiyintang Collection, Volume I, London, 1994, page 329, no. 611.

点此阅读中文翻译 (Chinese Translation)

北宋青白小蓋爐
中國,960-1127年。香爐的圓蓋中央有花蕾鈕,穿有三排小圓孔。爐身外壁刻有重疊花瓣紋。香爐通體施青白色釉,釉色瑩潤。

來源:英國布萊頓Brian Page收藏;Grahame Clarke 於 2008年 年從上述人士手中收購,並自此在同一家族傳承。Grahame Clarke(1940-2014年)是一位著名的陶瓷藝術家,受到 Harry Davis、Bernard Leach 和 Shoji Hamada 等陶藝風格的影響。1974 年,他在蘇格蘭洛欽弗創立了 高land Stoneware。在歷史和自然環境的推動下,他的作品將仿照中國古代陶器的耐用瓷體與受十六世紀和十七世紀代爾夫特青花裝飾啟發的自由手繪風格結合起來。他對陶瓷的熱情促使他收集來自世界各地的陶瓷,尤其是來自中國的文物。受到古物的啟發,Clarke的作品本身最終被收藏在維多利亞和阿爾伯特博物館等博物館。
品相:狀況極好,有輕微磨損、製造不規則和小缺口。

重量:158.8 克
尺寸:高 8.9 厘米

文獻比較:
比較一件相近的北宋青白小蓋爐,高6 厘米,收藏於芝加哥藝術博物館,館藏編號2013.190。比較一件相近的三足爐,1981年出土於景德鎮 ,現藏於江西博物館,見《Zhongguo Taoci Quanji: Song (The Complete Works of Chinese Ceramics: Song Dynasty)》,卷8,上海,2000年,編號171。比較一件相近 Qingbai censer,illustrated in Selected Masterpieces of the Manno Collection,Osaka,1988,編號84. 比較一件相近的青白小蓋爐 ,見《Chinese Ceramics from the Meiyintang Collection》,卷 I,倫敦,1994年,頁329,編號611。

Zacke Live Online Bidding

Our online bidding platform makes it easier than ever to bid in our auctions! When you bid through our website, you can take advantage of our premium buyer's terms without incurring any additional online bidding surcharges.

To bid live online, you'll need to create an online account. Once your account is created and your identity is verified, you can register to bid in an auction up to 12 hours before the auction begins. 

Create an Account

  

Intended Spend and Bid Limits

When you register to bid in an online auction, you will need to share your intended maximum spending budget for the auction. We will then review your intended spend and set a bid limit for you. Once you have pre-registered for a live online auction, you can see your intended spend and bid limit by going to 'Account Settings' and clicking on 'Live Bidding Registrations'. 

Your bid limit will be the maximum amount you can bid during the auction. Your bid limit is for the hammer price and is not affected by the buyer’s premium and VAT.  For example, if you have a bid limit of €1,000 and place two winning bids for €300 and €200, then you will only be able to bid €500 for the rest of the auction. If you try to place a bid that is higher than €500, you will not be able to do so.

 

Online Absentee and Telephone Bids

You can now leave absentee and telephone bids on our website! 

Absentee Bidding

Once you've created an account and your identity is verified, you can leave your absentee bid directly on the lot page. We will contact you when your bids have been confirmed.

Telephone Bidding

Once you've created an account and your identity is verified, you can leave telephone bids online. We will contact you when your bids have been confirmed.

Telephone Bidding Form

 

Classic Absentee and Telephone Bidding Form

You can still submit absentee and telephone bids by email or fax if you prefer. Simply fill out the Absentee Bidding/Telephone bidding form and return it to us by email at office@zacke.at or by fax at +43 (1) 532 04 52 20. You can download the PDF from our Upcoming Auctions page. 

 

How-To Guides

How to Create Your Personal Zacke Account
How to Register to Bid on Zacke Live
How to Leave Absentee Bids Online
How to Leave Telephone Bids Online

 

中文版本的操作指南 

创建新账号
注册Zacke Live在线直播竞拍(免平台费)
缺席投标和电话投标

 

Third-Party Bidding

We partner with best-in-class third-party partners to make it easy for you to bid online in the channel of your choice. Please note that if you bid with one of our third-party online partners, then there will be a live bidding surcharge on top of your final purchase price. You can find all of our fees here. Here's a full list of our third-party partners:

  • 51 Bid Live
  • EpaiLive
  • ArtFoxLive
  • Invaluable
  • LiveAuctioneers
  • the-saleroom
  • lot-tissimo
  • Drouot

Please note that we place different auctions on different platforms. For example, in general, we only place Chinese art auctions on 51 Bid Live.

  

Bidding in Person

You must register to bid in person and will be assigned a paddle at the auction. Please contact us at office@zacke.at or +43 (1) 532 04 52 for the latest local health and safety guidelines.