4th Sep, 2024 11:00
Three-Day Auction: Asian Art Discoveries
748
A REVERSE GLASS AND MOTHER OF PEARL INLAID PAINTING OF A VIEW OF MOUNT FUJI
Sold for €455
including Buyer's Premium
Japan, late 19th to early 20th century
Depicting a mountainous landscape with a view of Mount Fuji in the background. A house on stills sits on the bank of a meandering river. Set inside a vintage frame.
Provenance: From a private collection in Zagreb, Croatia.
Condition: Very good condition with minor wear. Light flaking. The frame with signs of wear and age.
Image SIZE 35 x 50 cm, SIZE incl. mounting 43 x 57.8 cm
A knowledge transfer from Dutch and Chinese traditions of reverse glass painting initially took place through the city of Nagasaki, where a number of local artists received aspects from both traditions and created a new genre of Japanese art. In time, this art form spread to other parts of Japan, where it took on themes typically seen in Japanese visual media, such as beautiful women, kabuki actors, and landscapes. The inter-medial connections to the woodblock prints became a key part of the Japanese tradition of reverse glass painting and, with the advent of new media in the latter part of the nineteenth century, photography became incorporated into the art form.
Literature comparison:
Compare a closely related reverse glass painting with a view of Mount Fuji with mother-of-pearl inlays, in the collection of the Dresden State Art Collections, inventory number 52961.
Japan, late 19th to early 20th century
Depicting a mountainous landscape with a view of Mount Fuji in the background. A house on stills sits on the bank of a meandering river. Set inside a vintage frame.
Provenance: From a private collection in Zagreb, Croatia.
Condition: Very good condition with minor wear. Light flaking. The frame with signs of wear and age.
Image SIZE 35 x 50 cm, SIZE incl. mounting 43 x 57.8 cm
A knowledge transfer from Dutch and Chinese traditions of reverse glass painting initially took place through the city of Nagasaki, where a number of local artists received aspects from both traditions and created a new genre of Japanese art. In time, this art form spread to other parts of Japan, where it took on themes typically seen in Japanese visual media, such as beautiful women, kabuki actors, and landscapes. The inter-medial connections to the woodblock prints became a key part of the Japanese tradition of reverse glass painting and, with the advent of new media in the latter part of the nineteenth century, photography became incorporated into the art form.
Literature comparison:
Compare a closely related reverse glass painting with a view of Mount Fuji with mother-of-pearl inlays, in the collection of the Dresden State Art Collections, inventory number 52961.
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