10th Apr, 2025 11:00
TWO-DAY AUCTION: Fine Asian Art, Buddhism and Hinduism
194
† AN ICONIC RED SANDSTONE TORSO OF THE BUDDHA, GUPTA PERIOD, MATHURA, 3RD-5TH CENTURY
€20,000
€40,000
A buyer’s premium of 30.00% (including VAT) applies to the hammer price of this lot if your bid is successful.
Expert authentication: Dr. Chang Qing has authenticated this lot, identifying its iconographic and stylistic characteristics as typical of the Gupta period. A notarized copy of Dr. Chang’s expertise, dated January 19, 2021, in the State of New York, accompanies this lot.
Dr. Chang holds a Ph.D. in Art History from the University of Kansas and has held prestigious positions, including post-doctoral fellow at the Metropolitan Museum of Art and senior research fellow at the Freer and Sackler Galleries of the Smithsonian Institute. He has conducted extensive research in China, participating in archaeological excavations at various historical sites. Dr. Chang is the author of several influential works, including Compassionate Beings in Metal and Stone: Chinese Buddhist Sculptures from The Freer Gallery of Art (2016) and Light of the Buddha in the Desert: Essays on Mogao Grottoes in Dunhuang from 5th-14th Centuries (2012). He is currently a professor at Arts College, Sichuan University.
Expert’s note: This commanding image of the Buddha was created by artists at Mathura, an important center of arts in the kingdom of the Gupta monarchs (ca. 320-485). The sculptors selectively combined elements from earlier traditions to create the quintessential Gupta Buddha image. From the Greco-Roman style of Gandhara, Gupta sculptors borrowed the monastic robe that covers both shoulders, transforming its folds into a network of strings; from their own earlier Mathura tradition they retained the sensuous, full-bodied form of the Buddha. The sensitive handling of the stone reveals the ridge created at the waist by the draped sarong-like undergarment whose lower edge peeks out at the ankles. The Gupta Buddha was a source of inspiration for the entire Buddhist world, including land-bound Nepal and Tibet, the island of Sri Lanka, and the Southeast Asian countries of Burma, Thailand, Cambodia, Vietnam, and Java. Each area took the Gupta ideal and developed it along its own lines. Even Chinese pilgrims to India carried portable bronze Guptas back to their homeland.
Central India. Standing with the right leg slightly bent, dressed in voluminous monastic robe covering both shoulders, the fold of the robe indicated by ridges following the contours of the body, the left hand holding the hem of the robe which falls in cascading folds.
Provenance: A private collection, acquired in the 1970s. The collection of Nik Douglas, acquired from the above circa 1989, and thence by descent to his wife Christi Douglas, New York, United States. A private collection in New York, United States, acquired from the above in 2021. A copy of a provenance statement signed by Christi Douglas on 28 February 2021 and confirming the above accompanies this lot. Nicholas ‘Nik’ Douglas (1944-2012) was a renowned author, curator, and Asian art expert. Between 1966 and 1974, he traveled through South and Southeast Asia, visiting remote areas of India, Sri Lanka, Nepal, Sikkim, Thailand, and Indonesia, building up his knowledge of the customs, beliefs and spiritual practices of Hindus and Buddhists. He researched Oriental medicine, alchemy, art, sculpture and mysticism, studying with Hindu yogis, Buddhist lamas, and doctors. The Buckingham Collection was built by Nik Douglas, his mother, and his grandfather as well as further collectors in the family. Part of the collection was exhibited in 2010 by The Tibet House, New York, The Buddha Image: Out of Uddiyana.
Condition: Good condition, commensurate with age. Extensive wear, obvious losses, small chips, scattered nicks, scratches, signs of weathering and erosion, and encrustations.
Dimensions: Height 102 cm (excl. stand), 118 cm (incl. stand)
Mounted on an associated stand. (2)
Literature comparison:
Compare a closely related red sandstone torso of a standing Buddha, Gupta period, Mathura, dated 320-485, 134.6 cm high, in the National Museum of Asian Art, accession number F1994.17. Compare a closely related mottled red sandstone torso of Buddha, Gupta period, Mathura, 5th century, 114.94 cm high, in the Nelson Atkins Museum of Art, Kansas City, object number 45-15. Compare a closely related red sandstone figure of standing Buddha, Gupta period, Mathura, 5th century, in the National Museum of India, New Delhi.
Auction result comparison:
Type: Closely related
Auction: Bonhams New York, 14 March 2016, lot 65
Price: USD 81,250 or approx. EUR 104,000 converted and adjusted for inflation at the time of writing
Description: A large sandstone torso of Buddha, Mathura, Gupta period, 5th-6th century
Expert remark: Compare the closely related modeling and manner of carving with similar monastic robes and size (109 cm).
Expert authentication: Dr. Chang Qing has authenticated this lot, identifying its iconographic and stylistic characteristics as typical of the Gupta period. A notarized copy of Dr. Chang’s expertise, dated January 19, 2021, in the State of New York, accompanies this lot.
Dr. Chang holds a Ph.D. in Art History from the University of Kansas and has held prestigious positions, including post-doctoral fellow at the Metropolitan Museum of Art and senior research fellow at the Freer and Sackler Galleries of the Smithsonian Institute. He has conducted extensive research in China, participating in archaeological excavations at various historical sites. Dr. Chang is the author of several influential works, including Compassionate Beings in Metal and Stone: Chinese Buddhist Sculptures from The Freer Gallery of Art (2016) and Light of the Buddha in the Desert: Essays on Mogao Grottoes in Dunhuang from 5th-14th Centuries (2012). He is currently a professor at Arts College, Sichuan University.
Expert’s note: This commanding image of the Buddha was created by artists at Mathura, an important center of arts in the kingdom of the Gupta monarchs (ca. 320-485). The sculptors selectively combined elements from earlier traditions to create the quintessential Gupta Buddha image. From the Greco-Roman style of Gandhara, Gupta sculptors borrowed the monastic robe that covers both shoulders, transforming its folds into a network of strings; from their own earlier Mathura tradition they retained the sensuous, full-bodied form of the Buddha. The sensitive handling of the stone reveals the ridge created at the waist by the draped sarong-like undergarment whose lower edge peeks out at the ankles. The Gupta Buddha was a source of inspiration for the entire Buddhist world, including land-bound Nepal and Tibet, the island of Sri Lanka, and the Southeast Asian countries of Burma, Thailand, Cambodia, Vietnam, and Java. Each area took the Gupta ideal and developed it along its own lines. Even Chinese pilgrims to India carried portable bronze Guptas back to their homeland.
Central India. Standing with the right leg slightly bent, dressed in voluminous monastic robe covering both shoulders, the fold of the robe indicated by ridges following the contours of the body, the left hand holding the hem of the robe which falls in cascading folds.
Provenance: A private collection, acquired in the 1970s. The collection of Nik Douglas, acquired from the above circa 1989, and thence by descent to his wife Christi Douglas, New York, United States. A private collection in New York, United States, acquired from the above in 2021. A copy of a provenance statement signed by Christi Douglas on 28 February 2021 and confirming the above accompanies this lot. Nicholas ‘Nik’ Douglas (1944-2012) was a renowned author, curator, and Asian art expert. Between 1966 and 1974, he traveled through South and Southeast Asia, visiting remote areas of India, Sri Lanka, Nepal, Sikkim, Thailand, and Indonesia, building up his knowledge of the customs, beliefs and spiritual practices of Hindus and Buddhists. He researched Oriental medicine, alchemy, art, sculpture and mysticism, studying with Hindu yogis, Buddhist lamas, and doctors. The Buckingham Collection was built by Nik Douglas, his mother, and his grandfather as well as further collectors in the family. Part of the collection was exhibited in 2010 by The Tibet House, New York, The Buddha Image: Out of Uddiyana.
Condition: Good condition, commensurate with age. Extensive wear, obvious losses, small chips, scattered nicks, scratches, signs of weathering and erosion, and encrustations.
Dimensions: Height 102 cm (excl. stand), 118 cm (incl. stand)
Mounted on an associated stand. (2)
Literature comparison:
Compare a closely related red sandstone torso of a standing Buddha, Gupta period, Mathura, dated 320-485, 134.6 cm high, in the National Museum of Asian Art, accession number F1994.17. Compare a closely related mottled red sandstone torso of Buddha, Gupta period, Mathura, 5th century, 114.94 cm high, in the Nelson Atkins Museum of Art, Kansas City, object number 45-15. Compare a closely related red sandstone figure of standing Buddha, Gupta period, Mathura, 5th century, in the National Museum of India, New Delhi.
Auction result comparison:
Type: Closely related
Auction: Bonhams New York, 14 March 2016, lot 65
Price: USD 81,250 or approx. EUR 104,000 converted and adjusted for inflation at the time of writing
Description: A large sandstone torso of Buddha, Mathura, Gupta period, 5th-6th century
Expert remark: Compare the closely related modeling and manner of carving with similar monastic robes and size (109 cm).
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Auction: TWO-DAY AUCTION: Fine Asian Art, Buddhism and Hinduism, 10th Apr, 2025
Galerie Zacke is privileged to present a remarkable two-day live auction event, featuring 684 works of art from China, Southeast Asia, India, and beyond.
The highlight is our flagship live auction on Day 1, showcasing lots 1-269, Among the many standout pieces are a ge-type octagonal bowl from the Southern Song dynasty, part of the Jules Speelman collection (lot 137), a rare 1st-2nd century gold figure of a mother goddess from the Zelnik István Southeast Asian Gold Museum collection (lot 176), as well as a group of four parcel-gilt bronze Bodhisattvas from the Bao-Xiang Lo Palace and Temple, with Qianlong marks and of the period (lot 52).
Day 2 continues with our general auction (lots 270-684), offering seasoned collectors and new bidders alike an opportunity to enhance their collections. Learn more.
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