8th Nov, 2024 13:00
Fine Netsuke & Sagemono
192
YOSHIOKI: A SUPERB WOOD NETSUKE OF A SLEEPING SHOJO
Sold for €5,200
including Buyer's Premium
By Yoshioki, signed Yoshioki 良興
Japan, 18th century, Edo period (1615-1868)
Superbly carved as a sleeping shojo (drunken sprite), visibly inebriated, reclining lazily and supporting her heavy head in her hands, the fingers and toes carved in a striking manner, her long hair boldly incised to the back and forming the natural himotoshi. Her kimono is sparsely incised with brocade patterns and the signature YOSHIOKI is located inside a polished area to the hair.
LENGTH 4 cm
Condition: Very good condition, appealingly worn. Old smoothened chip to the edge of the hair.
Provenance: From a noted Austrian private collection.
Yoshioki is a very rare artist with only few works recorded. F. M Jonas lists this artist as 'Nagaoki 18C' and Ueda Reikichi remarks 'early, wood'. The carving is remarkably unique, the face carved with a bit of Otoman flair, and if Yoshioki came from Nagoya, as it is supposed, this is a refreshing departure from the well-known Nagoya school Shojo netsuke.
Literature comparison:
For another work by this rare artist, depicting a cicada pupa, see Lazarnick, George (1981) Netsuke & Inro Artists, and How to Read Their Signatures (LNIA), Vol. 2, 1244.
By Yoshioki, signed Yoshioki 良興
Japan, 18th century, Edo period (1615-1868)
Superbly carved as a sleeping shojo (drunken sprite), visibly inebriated, reclining lazily and supporting her heavy head in her hands, the fingers and toes carved in a striking manner, her long hair boldly incised to the back and forming the natural himotoshi. Her kimono is sparsely incised with brocade patterns and the signature YOSHIOKI is located inside a polished area to the hair.
LENGTH 4 cm
Condition: Very good condition, appealingly worn. Old smoothened chip to the edge of the hair.
Provenance: From a noted Austrian private collection.
Yoshioki is a very rare artist with only few works recorded. F. M Jonas lists this artist as 'Nagaoki 18C' and Ueda Reikichi remarks 'early, wood'. The carving is remarkably unique, the face carved with a bit of Otoman flair, and if Yoshioki came from Nagoya, as it is supposed, this is a refreshing departure from the well-known Nagoya school Shojo netsuke.
Literature comparison:
For another work by this rare artist, depicting a cicada pupa, see Lazarnick, George (1981) Netsuke & Inro Artists, and How to Read Their Signatures (LNIA), Vol. 2, 1244.
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