16th Jun, 2023 11:00
Fine Japanese Art
176
NAGAKURA KEN’ICHI: STRIPES
Sold for €3,900
including Buyer's Premium
By Nagakura Ken’ichi (1952-2018), signed to a washi label applied to the box Kago hanaire, Shima, Nagakura Ken'ichi
Japan, Showa period (1926-1989)
Of abstract shape, the composition titles ‘Stripes’, finely worked in woven bamboo and rattan. With an otoshi (water holder).
The large cardboard box with an applied label: Kago hanaire, Shima, Nagakura Ken'ichi [A flower basket, entitled Stripes, by Nagakura Ken'ichi] with a seal.
LENGTH 60 cm
Condition: Excellent condition.
The first recipient of the Cotsen Bamboo Prize in 2000, Nagakura Ken'ichi (1952-2018) studied under his grandfather but was mostly self-taught, drawing on a wide range of sources for his creative inspiration, from European sculpture through American pop art to traditional Japanese forms.
Nagakura's organic, contemporary pieces are rooted in the functional baskets and flower arranging vessels made for centuries in Japan but also borrow from wide-ranging sources, including the richly material paintings of Anselm Kiefer and the rough-hewn statues made by the itinerant 17th century Buddhist monk Enku. However, throughout the entirety of his career, Nagakura’s primary inspiration has been the natural world. “For me, inspiration comes from the workings of nature, both large and small, near and distant,” the artist states. “My desire is to share with other human beings the silent voice of nature.”
Nagakura’s works are held in various museum collections such as The Metropolitan Museum of Art, New York, and The Asian Art Museum, San Francisco.
Auction comparison:
Compare a related bamboo hanakago of twisted design by Nagakura Ken’ichi at Bonhams, Fine Japanese Works of Art, 25 March 2010, New York, lot 2222 (sold for 3,050 USD).
By Nagakura Ken’ichi (1952-2018), signed to a washi label applied to the box Kago hanaire, Shima, Nagakura Ken'ichi
Japan, Showa period (1926-1989)
Of abstract shape, the composition titles ‘Stripes’, finely worked in woven bamboo and rattan. With an otoshi (water holder).
The large cardboard box with an applied label: Kago hanaire, Shima, Nagakura Ken'ichi [A flower basket, entitled Stripes, by Nagakura Ken'ichi] with a seal.
LENGTH 60 cm
Condition: Excellent condition.
The first recipient of the Cotsen Bamboo Prize in 2000, Nagakura Ken'ichi (1952-2018) studied under his grandfather but was mostly self-taught, drawing on a wide range of sources for his creative inspiration, from European sculpture through American pop art to traditional Japanese forms.
Nagakura's organic, contemporary pieces are rooted in the functional baskets and flower arranging vessels made for centuries in Japan but also borrow from wide-ranging sources, including the richly material paintings of Anselm Kiefer and the rough-hewn statues made by the itinerant 17th century Buddhist monk Enku. However, throughout the entirety of his career, Nagakura’s primary inspiration has been the natural world. “For me, inspiration comes from the workings of nature, both large and small, near and distant,” the artist states. “My desire is to share with other human beings the silent voice of nature.”
Nagakura’s works are held in various museum collections such as The Metropolitan Museum of Art, New York, and The Asian Art Museum, San Francisco.
Auction comparison:
Compare a related bamboo hanakago of twisted design by Nagakura Ken’ichi at Bonhams, Fine Japanese Works of Art, 25 March 2010, New York, lot 2222 (sold for 3,050 USD).
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